WONDERFUL BEAST THEATRE COMPANY
  • HOME
  • About Us
  • Work
    • Bubble Wrap
    • Lockdown Tales >
      • Lockdown Tales Full List >
        • Lockdown Tales Readers
      • Lockdown Tales: Folktales
      • Lockdown Tales: Verse
      • Lockdown Tales: Modern Stories
      • Lockdown Tales: Musical Tales
      • The Quangle Wangle's Hat Competition >
        • Competition Gallery
    • Shows >
      • First the Dance, The the Feast
      • The Last Woodwose
      • Return of the Wildman
      • Strange Fish
      • YES: The Adrian Mitchell Show
      • The Dead Moon
      • Maps of Desire
      • Tatterhood
      • The Wolf Road
      • Birth of Pleasure
      • The Six Swans
      • The Nightingale
      • Now and Then
      • Behind the Scenes at Mary Warner's
      • Memories of Suffolk
    • Schools >
      • First the Dance, The the Feast
      • I Am a Woodwose
      • Abiyoyo & the Musicians of Bremen
      • The Coat of Umpteen Pockets
      • Little Red Chunni
    • Family Shows >
      • First the Dance, The the Feast
      • Orla Tour
      • Orla's Moon
      • Orla and the Sun
      • The Swineherd and The Princess & The Pea
    • Festivals >
      • How Night Came from the Sea
      • Storm of Stories 2016
      • Storm of Stories 2014
      • Storm of Stories 2012
    • Events >
      • Wild Woods
      • 25 Years of Wonderful Beast
      • Bottom's Dream
      • SPLASH!
      • Music Matters Most
      • Almeida Theatre Benefits
    • Podcast: Stories from the Archives
  • WB Singers
  • Whispers
  • Contact
  • Our Team
  • HOME
  • About Us
  • Work
    • Bubble Wrap
    • Lockdown Tales >
      • Lockdown Tales Full List >
        • Lockdown Tales Readers
      • Lockdown Tales: Folktales
      • Lockdown Tales: Verse
      • Lockdown Tales: Modern Stories
      • Lockdown Tales: Musical Tales
      • The Quangle Wangle's Hat Competition >
        • Competition Gallery
    • Shows >
      • First the Dance, The the Feast
      • The Last Woodwose
      • Return of the Wildman
      • Strange Fish
      • YES: The Adrian Mitchell Show
      • The Dead Moon
      • Maps of Desire
      • Tatterhood
      • The Wolf Road
      • Birth of Pleasure
      • The Six Swans
      • The Nightingale
      • Now and Then
      • Behind the Scenes at Mary Warner's
      • Memories of Suffolk
    • Schools >
      • First the Dance, The the Feast
      • I Am a Woodwose
      • Abiyoyo & the Musicians of Bremen
      • The Coat of Umpteen Pockets
      • Little Red Chunni
    • Family Shows >
      • First the Dance, The the Feast
      • Orla Tour
      • Orla's Moon
      • Orla and the Sun
      • The Swineherd and The Princess & The Pea
    • Festivals >
      • How Night Came from the Sea
      • Storm of Stories 2016
      • Storm of Stories 2014
      • Storm of Stories 2012
    • Events >
      • Wild Woods
      • 25 Years of Wonderful Beast
      • Bottom's Dream
      • SPLASH!
      • Music Matters Most
      • Almeida Theatre Benefits
    • Podcast: Stories from the Archives
  • WB Singers
  • Whispers
  • Contact
  • Our Team
Search by typing & pressing enter

YOUR CART

Tatterhood
(
rosemary branch, london; highlands and islands tour 2000)

'Wonderful Beast is steadily building a reputation for its theatrical approach to storytelling, indeed this charming Anglo-Norwegian production glows with the sunny warmth of childhood.' — CHARLES GODFREY-FAUCETT, TIME OUT
Tatterhood, a story collected by Asbjørnsen and Moe, is included in Angela Carter’s great collection of fairy tales published by Virago. It is the tale of an ugly twin, born riding a goat, who single handed battles against a troop of terrifying trolls, rescuing her beautiful sister’s head from them. She is loud, loyal, brave and resolutely unattractive and does not suffer fools gladly. After many obstructions from the trolls and other obstacles, she saves the day and marries her prince.

The show was bilingual, with Norwegian actor Ane Aass performing the role of Tatterhood, and was packed with Norwegian folk songs taught to the company by Norwegian singer Anne Kleivset. First performed in London at The Rosemary Branch Theatre, the show later enjoyed a highly successful tour of the Highlands and Islands, taking part in the Orkney Music Festival and the Highlands Festival as well as performing and work shopping in schools.

 AUDIENCE COMMENTS:

'Armed with chalk, the cast draw their set as the story unfolds, and their transformation of the stage into an ancient magical realm is extremely inventive. Tatterhood is told through dance and mime, the dialogue is spoken and sung in Norwegian and the action is perfectly punctuated with music...' — LUCY POWELL, HIGHBURY & ISLINGTON EXPRESS
'This is primeval stuff of myth at work here, holding the audience alert to some half remembered, half recognised vastness. That is fairy tales for you!' — ANN SNINOTT, CAMDEN NEW JOURNAL

'Wonderful Beast simply captivating at Garrison – the cast danced and sang with such wit and vivacity that everyone leaving the theatre glowed.' — SHETLAND TIMES
'Enchanting fairy tale enthralls — the Beast is truly Wonderful.' — ORCADIAN
Picture

cast

creatives

Ane Aass
Sue Maund (London)
Sam Scudder
Jane Barber (Scottish tour)
Violin: Alison Blunt
Writer and director: Hege Rohde
Producer: Alys Kihl
Scottish tour revival directed by Alys Kihl
Movement advisor: Graham Allum
Folk song coach: Ane Kleivset

funders

Esmée Fairbairn Foundation
Foundation for Sports and the Arts
Highlands and Islands Enterprises
John S Cohen Foundation
The Leche Trust
The Rayne Foundation
​
Scottish Arts Council

Powered by Create your own unique website with customizable templates.